miercuri, 6 iulie 2011

new shit

new job, sales assistant for iduna denmark, running all day, selling, explaining to idiots about proffesional cleaning products, eco and bio, drinking late night, listening to new music, smoking rolled cigarettes and forgetting bout art
http://www.youtube.com/watch?v=wKJq3bXLI9k

sâmbătă, 27 noiembrie 2010

BLA

nothing new, just eating, swimming, dreaming, drinking, avoiding everything.
i hope i will be able to get myself out of this normal state.
it makes me feel comfortable right now, but its nothing to live in.

marți, 21 septembrie 2010

NEWs

i have been started to appear more often on internet through different blogs and pages, which is probably good, thank you very much, you people, the ones that encourage art.

http://rocknlivres.forumculture.net/de-l-atelier-a-l-expo-f11/cordos-cosmin-t670.htm

http://www.personarte.com/enea6.htm

http://www.arthappy.co.uk/search/label/cosmin%20cordos

vineri, 12 februarie 2010

the pink panic juicy screaming squared orgasm



picnic on a red plateau

vineri, 18 decembrie 2009

new UNTITLED work


after a long pause, digesting and with a trembling hand on the mouse i clicked on some ideas.

miercuri, 11 noiembrie 2009

LUSTMORD - [BEYOND] 2009


Following "The Dark Places Of The Earth", "Beyond" is the second limited edition sequel to "Others". And just like its predecessor, it sees Lustmord digging deep into its sounds and atmospheres to go back to his "Where The Black Stars Hang" days. Again, gone are the gritty bits and guitars of "Others", as Brian Williams focuses here on what he does best: huge, monumental, pitch black spacial sounds that just need to be listened to as loud as possible. Lustmord is a monument in itself, and, unsurprisingly, I can not recommend this album enough. Mandatory.



http://rapidshare.com/files/296056625/Dromtsul-09B3y0nd-EsotericSanctuarY.rar

luni, 19 octombrie 2009

NEW CONTACT DETAILS

these are new CONTACT DETAILS for paintings and everything else:

yahoo messenger : c_cordos666

email : allmusicguide@yahoo.com

phone :
0748662004

0724 802 911

marți, 13 octombrie 2009

sâmbătă, 12 septembrie 2009

vineri, 4 septembrie 2009

vineri, 28 august 2009


some new stuff, after long time accomodating with new job, trying to stop trembling hands, and frustrations.
thank you/ (title: Modern Aging Suicide 2009)

luni, 6 iulie 2009

lullaby for broken hearts (2009)







silence solitude and screaming snails

do you feel loved?
details on www.artbreak.com/bodyhater

duminică, 28 iunie 2009

ROME - FLOWERS FROM EXILE!!!!!!!! just another GREAT GREAT ALBUM from Jerome!


here we are again listenint to another great album from JEROME REUTERS
ROME - FLOWERS FROM EXILE - GET IT HERE!!!
Into the heart… With ‘Flowers from Exile’, the Luxembourgish folk formation ROME surpass their work to date, which already includes three full-length albums in just a few years. Just as early releases were apocalyptic and aggressive in nature, the expressionistically-tinged CD ‘Masse Mensch Material’ (2008) could be said to have a revealed inner vision. ROME’s universe was expanded by proud resignation and sweet melancholy. The latest album, ‘Flowers from Exile’ (2009) goes a step further in this direction. Similar to the early albums of the legendary songwriter Leonard Cohen, stories from the (inner) exile are told here with fatalistic gestures and dark timbre; of the longing for a lost homeland, of loneliness and eternal travels, but also of unexpected friends far away and the actual homeland in your own heart. Songs such as ‘The Secret Sons of Europe’ or ‘To Die Among Strangers’ (which was previously released as a CD single) form a song cycle full of metaphors for estrangement – the poetry of longing. Highly detailed arrangements use the sound of the flamenco guitar as well as mysterious samples, pulsating beats and sad melodies. In ROME’s songs there lives a stoic sense of the melodramatic. As well as Cohen, one must look to icons such as Tom Waits and late Johnny Cash in order to be able to describe the lyrics and voice of Jerome Reuter. ‘Flowers from Exile’ is just as much an emotional as a critical work. The personally stamped album of a modern singer-songwriter which tells of journeys both within and without. Jerome Reuter’s moving vocals and Patrick Damiani’s complex musical arrangements leave the musical roots of folk far behind and send these ‘flowers from exile’ to all listeners who are willing and capable of feeling the dignity, the hope and the pride behind the lyrics and who are prepared to recognise themselves in those restless spirits whom the twelve part song cycle conjures up. Into the heart…

joi, 25 iunie 2009

trying to get back to computer and work!!!


i have been trying to get back to my computer and learn and work some more, my job at kaufland keeps me down and busy, moaning and thirsty for art and sleep, music and sex, wine and despair.
here's one of the latest ideas printed on hardpaper painted over with acrylics and watercolours, for sale for 100$. keep breathing and keep yourself warm for the next weeks to come. take care my beloved unknown friend.

vineri, 22 mai 2009

NEW ALBUM TO LiSTEN!!!!


Black Math Horseman
Wyllt (2009)

GET IT!!!
Black Math Horseman = Led Zeppelin's bombast + Black Sabbath's rhythm section + 1970s psych rock dilation + Isis' minimal-maximal dynamics. This is a horrible description, I know. But when listening to Wyllt, it's impossible not to hear decades of record collecting riffling by. Parts of "Deerslayer", for example, could have been on Badmotorfinger (Soundgarden chaneling Sabbath), Ritual de lo Habitual (Jane's Addiction channeling Zeppelin), and, of all things, She Hangs Brightly. Sera Timms' mostly cool-tempered voice suggests Nico on 4AD, complete with ghostly reverb. The gauzy "Torment of the Metals" recasts the Doors' "The End" as Krautrock. But though this record was raised on radio, no cuts are obvious singles, especially with Timms haunting the back of the mix. A college party soundtrack this is not.

For all the references this record evokes, it feels elusive. The band seems like it's working from deep within its influences. Songs are layered yet minimal. No jam sections here-- every note is in its place. The result is a studied diligence that's appealingly austere, yet frustratingly restrained. Black Math Horseman have potent ingredients, but they cook them at a simmer. That makes Wyllt a smooth listen, but it rarely boils over. Most attempts to do so merely raise bubbles.
Classic rock was scary once; Black Math Horseman could make it scary again.

marți, 19 mai 2009


drinking wine, back from work at 12 o clock in the night, sketching new photos, while listening to BEYOND SENSORY EXPERIENCE - NO LIGHTS IN OUR EYES (2008) - one of the best dark ambient albums ever listened to.

miercuri, 13 mai 2009

LET'S START WITH SOME NEW GREAT MUSIC




This is new stuff, sounds old like 60's psychedelia, combined with new stoner rock, its a must listen for 2009!!!!!!!
Heavy, psychedelic rock from the Netherlands. This is their new release. This album is so good, and it will blow your mind. The heavy riffage just doesn't stop.
GET IT

miercuri, 6 mai 2009

NEW MAY SHITTY STUFF!!!!!

...listening to more and more music, don't know what to post bout music right now, althou i have two stupid pics that i don't even like(but played with them little bit):


















...trying to watch some new great movies i've discovered:
http://www.criterion.com/films/342
http://www.imdb.com/title/tt0309047
http://www.imdb.com/title/tt0120265
http://www.imdb.com/title/tt0110882
which makes me think twice posting 'bout music here for now.
all my respects.

marți, 14 aprilie 2009

RECOMANDARI APRILIE 2009

Iata cateva recomandari muzicale pentru luna aprilie, daca nu le ascultam, daca nu le cautam infometat, daca nu doream sa le asculti nu erau acum postate aici.


BATTLEFIELDS - Thresholds of Imbalance 2009 (get it!!!)
Debut full length album from the Americans. Heavy metal and brutal vocals. Slow tempo and heavy distortion. This album is one out of a lot of garbage among the genre of modern metal. It can be the soundtrack of a rainy day and at the same time it can be the follower of a hot, sunny noon in a beach. It is a dirty myth or a heavy stone rolling down the slope and dive directly in the sea… Their doom is ambient and their ambient is sludgy. There is an unfamiliar rhythm and melodies which you can’t find it among heavy and doom metal releases. ‘Thresholds of Imbalance’ is an album that will surely satisfy many fans who are have trying to find all the shades of a fantastic release like this one in the next few listenings of them. Give time to the compositions. The tracks should concern all the underground doom metal fans who are searching for the perfect mix of hardcore, metal, doom and electronic ambient experimentation. There is a metalgaze smell around the atmosphere.Quite phenomenally, actually. Their success comes not only with superb execution, but also with a songwriting mentality that is fundamentally different than a great chunk of their peers. While many bands are concerned with thick, sludgy grooves and melodic atmosphere, Battlefields secured a leading spot by pushing their sound into a more desolate corner of the genre. The grooves and the ambience still make their appearances, but an impressively depressing feel and an austere visual aesthetic are the front-and-center elements that drive the record's excellence.



O.S.I. - Blood (2009)
OSI, a supergroup composed of a merry-go-round of players in the progressive rock/metal world but with a nucleus containing Kevin Moore (Dream Theater, Chroma Key) and Jim Matheos (Fate's Warning), will be releasing their 3rd album, Blood, in the United States on May 17th. We got a chance to preview this record, and have two reviews prepared - one from a longtime fan of OSI and the other from someone who has never heard of the band.A low, growling bass line and piercing guitar riff layer nicely over the album’s ubiquitous electronic effects and Gavin Harrison’s well thought out drum patterns. “You helped me to cut our losses.. cause dreaming isn’t living.. don’t come home”. Our character has obviously made a choice, I don’t know if it was just running away, or if it ended in death (maybe death and war are just metaphors here), but I’m going to keep listening to the album until I figure it out. Like the other albums in OSI’s catalog, “Blood” is fairly short (47 minutes and change), and it always leaves me wanting more.
Overall, I think Blood is the most complete album that OSI has made – I tried to find a common thread in all of the tracks linking them together, but I have no idea if I’m on the right track or not. I don’t really give a damn either, though, because the story of this nameless character that is running away from something and has an inner struggle which results in perhaps the wrong side winning is what I hear when I listen to this album. I think that “Terminal” and “Stockholm” could have been left off this CD in order to maintain a better flow between tracks – but as a fan of OSI, I’m going to keep listening and maybe I’ll find something I didn’t see before.

GET IT!!!







Mamiffer - Hirror Enniffer


Like an adamant darkening mist, Mamiffer’s Hirror Enniffer is a skulking presence that persists in its sense of despair only to evolve into distant calm right at the point when all hope appears lost.
Hirror Enniffer is Mamiffer’s debut and it breathes with all of the artistic sensibility one would expect from a musical visionary like Coloccia. Her sense of sound, her sense of feeling through sound, is exhibited in profound ways that intensify the experience with portions of classical, noise, and atmospheric rock.Hirror Enniffer comes like a dream, like an unrelenting vision that persists in deepening the tunnel until the bottom is all but forgotten. The tones are lush and somewhat damp, offering a glistening haze that carries through all six hypnotic tracks.
Mamiffer’s Hirror Enniffer is dream music. It is the soundtrack in one’s head that winds through scenes of open fields, through hands on blades of grass, through moonlit mysteries. It is also the last stop as the dream passes from glorious cheerfulness to disastrous nightmare. The eeriness is pitiless and the alluring tide of darkness is often interminable like an endless hall filled with locked red doors (“Suckling a Dead Litter”).

Music like this cannot merely be described; music like this must be felt.

Mamiffer’s debut is a beautiful piece of unremitting dream music, an arc of soft diaphanous emotion wrapped in pieces of classical music and brilliant noise. Hirror Enniffer is constructed out of the materials that engage our minds, fuel our dreams, and reveal our hopes.

GET IT!!!

marți, 31 martie 2009

miercuri, 25 martie 2009

NEWest albums that you should be aware of



ISIS - WAVERING RADIANT

The music of ISIS is a suitable metaphor for their 12-year career: patient, meticulous, fraught with tension and gradually building towards an apex of seismic proportions.

From the hypnotically bludgeoning down-tuned riffs of their early years to the gracefully sprawling passages on their pivotal sophomore album ‘Oceanic' and continuing through the intricate rhythmic textures and increased melody of 2006's ‘In The Absence of Truth', ISIS have successfully navigated the process of growing and evolving without disavowing their initial vision.

There is no consensus among ISIS's cult-like fan base as to which album serves as the ultimate document of their art. Each record is a piece in the puzzle. Consequently, to brand their latest offering, ‘Wavering Radiant', as the pinnacle of their achievements would be folly, yet it's a tempting proclamation.

The factors that defined ISIS in the past are still present, but the band manipulates its tactics and strategies with a refined sense of purpose and a heightened knack for nuance. They've extrapolated on the polar nature of their music, it's simultaneously their most challenging and accessible music to date.

LUSTMORD - The Dark Places of the Earth

GENRE: Indie, Ambient, Dark Ambient, Experimental

In the previous two Lustmord releases, "Juggernaut" and "[ O T H E R ]", Brian Williams decided to take a new approach and intermix guitar with his erie sound-scapes. Similar to his release with the Melvins, these albums embodied more than his usual dark ambient releases. But while this experimentation was highly acclaimed by most fans, it left some listeners wanting a more "traditional" record.

"The Dark Places of the Earth" is just that. After his release of "[ O T H E R ]", Lustmord decided to strip all of the guitar from the album and remix it down to something more sinister. The end result was a "reduced" version of the album that will leave you with visions of monstrous things dancing in your head. "The Dark Places of the Earth" is a true return to form for Lustmord, not seen since his "Rising" album back in 2006.
get album